My recent publication in the Yearbook of the International Society for History Didactics, Volume 40, 2019, pp. 131-199:
In this journal article I explore student-constructed narrative interpretations of Canada’s History Hall. Drawing from an empirical investigation that included student visitors, as well as adult facilitators at the Canadian Museum of History, I reveal the “big ideas” that students (n=26) constructed about Canada’s past, and how these related to their museum experience.
This inquiry is part of a larger investigation (supported by the Social Sciences and Humanities Research Council) that explores: 1) how the Canadian History Hall represents such difficult topics in history as First Nation settler colonial experiences and Residential Schools; 2) the national narratives that students construct from such a learning experience; and 3) the potential role for museum spaces in enabling Historical Thinking. Read more...
Thursday, March 12, 2020
Wednesday, November 20, 2019
Museums, Heritage, and Reconciliation in New Brunswick
Association Heritage New Brunswick Webinar
November 27, 2019 - 7 pm
Facilitator: Dr. Cynthia Wallace-Casey, University of Ottawa
Museums, Heritage, and Reconciliation in New Brunswick – This webinar will define reconciliation while also demonstrating how museums can develop a Reconciliation Action Plan. The instructor will discuss repatriation of collections, noting examples from the Canadian Museum of History and other sites in this country. Access the webinar here…
November 27, 2019 - 7 pm
Facilitator: Dr. Cynthia Wallace-Casey, University of Ottawa
Museums, Heritage, and Reconciliation in New Brunswick – This webinar will define reconciliation while also demonstrating how museums can develop a Reconciliation Action Plan. The instructor will discuss repatriation of collections, noting examples from the Canadian Museum of History and other sites in this country. Access the webinar here…
Labels:
Museums,
My presentations,
Reconciliation
Monday, October 29, 2018
Constructing patriotism: How Canada's History Hall has evolved over 50 years
My recent publication in the History Education Research Journal, Volume 15, Number 2, 26 October 2018, pp. 292-307(16):
In this article, I illustrate how the national narrative in Canada's Museum of History has evolved over 50 years. Located in the national capital of Ottawa, the new Canada's History Hall presents a concise overview of a nation, stretching from time immemorial to the present. It was opened on 1 July 2017 as a signature exhibition in celebration of Canada's sesquicentennial. It also represents a fourth manifestation of a national museum narrative for Canada. From humble beginnings in 1967 (when Canada celebrated its centennial), the narrative has changed substantially in response to national policies and societal values. Adopting a critical discourse analysis methodology, and drawing from archival evidence, I analyse how this national narrative has evolved. Canada's History Hall presents Canadian students with a concise national template for remembering Canada's past. Over the past 50 years, this narrative has changed, as curators have employed artefacts and museum environments to construct patriotic pride in their nation. Until 2017, this narrative was blatantly exclusionary of Indigenous voices. More recently, the Truth and Reconciliation Commission of Canada has called for reconciliation in education, including public forums for education. The Canadian Museum of History has responded to this call by weaving Indigenous voices into the national narrative of the new Canadian History Hall. In so doing, I argue, the museum has successfully entwined patriotism with reconciliation against past wrongs. Read more...
In this article, I illustrate how the national narrative in Canada's Museum of History has evolved over 50 years. Located in the national capital of Ottawa, the new Canada's History Hall presents a concise overview of a nation, stretching from time immemorial to the present. It was opened on 1 July 2017 as a signature exhibition in celebration of Canada's sesquicentennial. It also represents a fourth manifestation of a national museum narrative for Canada. From humble beginnings in 1967 (when Canada celebrated its centennial), the narrative has changed substantially in response to national policies and societal values. Adopting a critical discourse analysis methodology, and drawing from archival evidence, I analyse how this national narrative has evolved. Canada's History Hall presents Canadian students with a concise national template for remembering Canada's past. Over the past 50 years, this narrative has changed, as curators have employed artefacts and museum environments to construct patriotic pride in their nation. Until 2017, this narrative was blatantly exclusionary of Indigenous voices. More recently, the Truth and Reconciliation Commission of Canada has called for reconciliation in education, including public forums for education. The Canadian Museum of History has responded to this call by weaving Indigenous voices into the national narrative of the new Canadian History Hall. In so doing, I argue, the museum has successfully entwined patriotism with reconciliation against past wrongs. Read more...
Sunday, January 21, 2018
Language Rights and Place-based History Education
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Image credit: Government of Canada,
Department of Justice
|
SSHRC Postdoctoral Research Fellow
University of Ottawa
As the only officially bilingual province in Canada, New Brunswick holds a unique position regarding history education and collaborative curriculum development. In this province, it is as if we stand between two linguistic divides—with one foot firmly planted in English-speaking Canada, and the other confidently placed within a French-speaking world. This is because, unlike other provinces and territories in Canada, New Brunswick maintains two distinct education systems that are separate and equal. This distinction is not just a privilege, but a right: a right that is firmly embedded within our Charter of Rights and Freedoms. As indicated in section 16.1 of the 1982 Constitutional Act of Canada:
(1) The English linguistic community and the French linguistic community in New Brunswick have equality of status and equal rights and privileges, including the right to distinct educational institutions and such distinct cultural institutions as are necessary for the preservation and promotion of those communities.
2) The role of the legislature and government of New Brunswick to preserve and promote the status, rights and privileges referred to subsection (1) is affirmed.In this sense, education and cultural identity operate hand-in-hand. For each linguistic group, school is not simply about “making the grade,” it is about preserving and promoting social responsibility to two linguistic communities. This educational philosophy is supported by the Council of Atlantic Ministers of Education and Training (CAMET), as well as the Council of Education Ministers of Canada (CEMC). More specifically, the Pan-Canadian French as a First Language Project (2002, 2012) of CEMC clearly articulates this belief. It recognizes that language is not just a communication tool, but also a thinking, learning, and identity-building tool (CEMC, 2002, p. 3).
How such dynamics play out within New Brunswick’s social studies curriculum, is through respect for regionalism and diversity. Regionalism, in that New Brunswick joins with like-minded provinces to share curriculum resources; and diversity, in that the province’s two curriculum narratives reflect distinctions within New Brunswick’s linguistic communities.
Sunday, October 15, 2017
Tuesday, June 14, 2016
Canadian Association for Foundations in Education - 2016 Outstanding Dissertation Recognition Award
Cynthia Wallace-Casey successfully defended her PhD dissertation, “Deepening Historical Consciousness Through Museum Fieldwork: Implications For Community-Based History Education,” with the guidance of Dr. Alan Sears. Her work makes a substantial contribution by extending the examination of the development of historical thinking from classrooms to the informal learning context of community museums. One of the most interesting contributions is the examination of how collaborative work in historical inquiry fosters new ways of thinking about history and history education not only for students, but also for staff and community volunteers who work in museums.
Alan states that her work does not fit neatly into any one of the three areas of foundations of education as described on the CAFE website, but it does make a substantial contribution to all three.
We agree and are pleased to recognize the work of Dr. Wallace-Casey. She presented two papers and chaired a session yesterday, which I know other CAFE members attended.
Shirley Van Nuland, PhD.
1st Vice President
CAFE Chair, Awards Committee
UOIT Faculty of Education
May 31, 2016
Alan states that her work does not fit neatly into any one of the three areas of foundations of education as described on the CAFE website, but it does make a substantial contribution to all three.
We agree and are pleased to recognize the work of Dr. Wallace-Casey. She presented two papers and chaired a session yesterday, which I know other CAFE members attended.
Shirley Van Nuland, PhD.
1st Vice President
CAFE Chair, Awards Committee
UOIT Faculty of Education
May 31, 2016
Monday, February 15, 2016
Book Review: Family Ties by Andrea Terry (or More on the Challenges of Teaching with Museums)
By Cynthia Wallace-Casey, PhD
University of New Brunswick
(Fredericton)
There’s something about the experience of a Victorian Christmas that makes many of us feel warm and fuzzy inside. Our sense of nostalgia seems heightened by the festive season. Because of this, perhaps we’re more prone to let down our critical lens on the past, and simply enjoy the visual candy. Surrounded by the sights, sounds, and smells of the season, we encounter compelling evidence to suggest that we can truly experience the past for real… as it once was.
Andrea Terry, however, in her publication Family Ties: Living History in Canadian House Museums (2015), dispels such nostalgia, as she closely examines the annual Victorian Christmas programs at three Canadian house museums: Dundurn Castle in Hamilton Ontario, Sir George-Étienne Cartier National Historic Site in Montreal Quebec, and William Lyon Mackenzie House in Toronto Ontario. With a keen eye for cultural hegemony, Family Ties delves down beneath the sugary surface, to reveal how interpretive Christmas programs in each of these living history museums are actually a product of present-day values, place-based politics, and nationalistic agendas.
University of New Brunswick
(Fredericton)
There’s something about the experience of a Victorian Christmas that makes many of us feel warm and fuzzy inside. Our sense of nostalgia seems heightened by the festive season. Because of this, perhaps we’re more prone to let down our critical lens on the past, and simply enjoy the visual candy. Surrounded by the sights, sounds, and smells of the season, we encounter compelling evidence to suggest that we can truly experience the past for real… as it once was.
Andrea Terry, however, in her publication Family Ties: Living History in Canadian House Museums (2015), dispels such nostalgia, as she closely examines the annual Victorian Christmas programs at three Canadian house museums: Dundurn Castle in Hamilton Ontario, Sir George-Étienne Cartier National Historic Site in Montreal Quebec, and William Lyon Mackenzie House in Toronto Ontario. With a keen eye for cultural hegemony, Family Ties delves down beneath the sugary surface, to reveal how interpretive Christmas programs in each of these living history museums are actually a product of present-day values, place-based politics, and nationalistic agendas.
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